AN ENGLISH PAGE.

portada Kassel

[8 works published in USA]

This book (Mac´s Problem) was a treat.

18th-c-room

This book was a treat. At almost every level – the plot, writing, characters, pacing of the novel, and the fact that a master such as Vila-Matas has written it, only adds to its wonder. The idea of life imitating art and vice-versa has always been a personal favourite, and then to find one of the few novels whose premise is seeped in it is a thing of joy to read and contemplate about.

At the heart of this novel is Mac, who is unemployed and dependent on his wife’s earnings. Being an avid reader and beyond, he decides to maintain a diary at the age of sixty. His wife who is dyslexic thinks he is wasting his time. A chance encounter with a neighbour – a successful author of a collection of stories, Mac decides that he will improvise his neighbour’s stories, which are in turn narrated by a ventriloquist who has lost the knack of speaking in different voices. The book then takes a strange turn and only gets stranger as you go along, with art imitating life or vice-versa.

Mac’s Problem is a book that had me in from the first page. Again, it is not an easy read, but there is something to it – the concept of a diary, and then someone’s short stories, and how they become personal after a while, and the paranoia that takes over. Vila-Matas’ writing is full of literary references, and stellar prose if anything. It is also quite funny in a lot of places – I am sure that was intentional.

The book does drag and something about it being two-dimensional worked so much for me. It takes time to get to the actual plot perhaps but if you persist, you will be massively rewarded in the end. A must-read if you ask me.

[https://thehungryreader.wordpress.com/2020/03/24/macs-problem-by-enrique-vila-matas-translated-from-the-spanish-by-margaret-jull-costa-and-sophie-hughes/]

______________________________________________________________

The heavyweight champion of paradox, the pioneer of parasitical writing, the disinterrer of lost authors, the crazy godfather of the Spanish avant-garde, the crypto-torchbearer of high modernism, Enrique Vila-Matas has spent over forty years charting out a literary terrain that is all his own. His work is notorious for intensely feeding off of other texts—most notably, those written by European titans like Beckett, Joyce, and Walser—as well as for drawing liberally from his own strange life. Hovering somewhere between plagiarism and homage, autobiography and multiple personality disorder, his books push the personal essay into a novelistic form, all the while taunting us with coincidences, anecdotes, and facts that seem far too good to be true—or are they actually real?

by Veronica Scott Esposito

ET8xCqtWoAA1nI1

5-reviews-1